Over the decades, we earned reputation from customers around the world and luckily we are regarded as a reliable seller. I guess the Fender equivalent of Kerry Green would be Surf Green.Ishibashi Music Corporation, founded in 1938, is one of the biggest music stores in Japan. It was standardized, just like Fender’s early ‘60s chart. The chart listed available colors, but not the special orders. Cherry, Cherry Sunburst and Black, for example, aren’t on the chart. But they also did some that weren’t on the chart. Gibson offered a chart featuring 10 colors. Same with the Esquire you could pay $15 for the extra pickup, or you could pay $15 and get it in a color. For that money, they’re more likely to order a more upmarket model instead. People wouldn’t normally spend the cash on a custom color finish on a cheaper guitar. This could be the only Kerry Green Firebird I Gibson ever made David Davidsonīut the Firebird I is the rare one. I also have a III, a V and a VII in Kerry. This could be the only Kerry Green Firebird I Gibson ever made. I’ve seen every color on Firebird III, V and VII guitars. I’ve seen a Firebird I in Kerry Green (this one), a see-through Cherry, and a couple of Cardinal Reds. They didn’t make a lot of custom color Esquires because it was the cheaper guitar. It’s the equivalent of a custom color Fender Esquire. People get more excited about Gibson custom colors on something like an SG or Les Paul, but a Firebird I in a custom color is very rare. They continued in the catalogue until 1970, but very few were sold after 1967. The reverse Firebird III has two mini-humbuckers, while a non-reverse one has three P-90s. But the reverse Firebird I has a single mini-humbucker, while a non-reverse model has two P-90s. They still used mini-humbuckers for the V and VII models. Instead of a neck-through construction, the non-reverse Firebirds have a glued-in neck, and Gibson threw P-90 pickups into the mix. The non-reverses were like the new Coke design it was not a very good idea. Instead of a neck-through construction, the non-reverse Firebirds have a glued-in neck David Davidson And they needed to be a lot more competitive with the cheaper Stratocaster, which forced them to go with the non-reverse design in mid-1965. Reverse Firebirds were very costly for Gibson to make. In fact, it’s about as close as you can get to the neck profile of a 1959 Les Paul Standard. If you overdrive them, they’re super co-operative, and the playability is great.Īll the reverse guitars have the wider neck width of 1 11/16-inch, and also a very full-depth profile.Ī lot of people prefer that. I don’t really love them through Fender amps, but I do like them through a Marshall.Ī lot of metal guys will play them through a Mesa/Boogie or something like that. I’ve mostly heard them sounding their best through Marshall tube amps. The pickup tends to be somewhat midrange-y, but they are really good blues and rock ’n’ roll guitars. The mini-humbucker is unique to the Firebird and features blade magnets, rather than polepieces, underneath the solid cover. The mini-humbucker is unique to the Firebird and features blade magnets, rather than polepieces David Davidson And that’s something people like about the tone of these guitars. With the reverse design, the way the strings’ length continues after the nut influences the sounds tremendously. The banjo tuners would sit right on the inside face of the case, so if it fell over there was a good chance of breaking the headstock. Firebirds don’t have many inherent problems.
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